ketgup83

(2013-05-17 16:16:27)

A golden opportunity gone wasted and mowed by weak script

Teri Meri Kahani , based on Taiwanese hit Three Times, was a rom-comlove story that could have been crafted better but unfortunately wasmowed down by weak direction and poor script.Teri Meri Kahani explores the story of three generation with one commonlink in all the narratives– LOVE. The film starts of with the trainsequence in 1960 Bombay between a struggling musician Govind and filmstar Rukhsar meeting on a 1st class coach. The film straight awayprogresses to the current generation of Facebook and Twitter whereKrish meets Radha on a busy street. As the film breaks for the interval, we are swung back to the pre-partition period , where the lover boyJaved juggles between local woman eventually falling in love withconservative yet rebellious Aradhna. Now , I have been a big fan of HUM TUM (also directed by Kunal Kohli)and was expecting the same heart-warming , emotional touching lovestory this time. To my surprise, I was disappointing with this film.Even though Kunal Kohli had wonderful story to tell, but the lethargicpace and superficial drama could not salvage the film from falling intothe pit. Whenever Shahid Kapoor and Priyanka Chopra meets, it alwaysseems so over the top as if they were meant to meet each other and notthrough natural means. I like the first story in early 1960 in Bombaymore because of the fantastic art direction and good CGI recreating theearly Bombay so beautifully. The second story was superficial combinedwith over-the- top acting by Priyanka Chopra. But it is thepre-partition story which made me sit back and enjoy the story. Neverthe less , the film is full of loopholes and boring drama whichsometimes makes you scratch your hair. As mentioned before script ispoor along with weak music. Cinematography is eye-catching withfantastic efforts made in sets to re-create the 1960s of Bombayculture. Background score is hopeless and so is Priyanka's acting . Sheis the same actress who got national award … can you believe it . Theonly silver lining in this dull film is superb acting by Shahid Kapoor.I think it is high time we stand and notice this actor's talent. He wasthe best among three characters as Javed Qadri. His sher-shayari wasjust amazing along with his dialogue delivery.So , overall , a golden opportunity gone wasted . Rather thanconcentrating on technical aspects of the film , Kunal Kohli shouldhave made sincere efforts in the direction and screenplay area. But ifyou are big fan of Shahid Kapoor , you might give it a chance. Belowaverage : 1.5 / 5

engrumair21

(2013-05-17 09:28:36)

Thrice Upon A Love Story!!

TERI MERI KAHAANI (Movie Review)ONE LINER:Thrice Upon A Love Story!!EXPECTATIONS:Well Expectations were never very high after first theatrical but afterthe second theatrical and song promos interest started beingdeveloped.. And after KAMINEY Shahid Priyanka Jodi was being gettingtogether again so there were some good expectations because of their onscreen chemistry.. VIEWS:1960 Era : The movie started from 1960's era story. the story is verywell told and acting and direction here is very nice.. The comicmonents in this era are really funny and enjoyable. JAB SE MERE DIL KOUFF is awesomely picturised and beautifully sung according to the 60'sera..2012 Era : This Era is very well defined as the daily liferelationships going on these days by the means of communications shownis totally truth.. and very well executed story but still it feels thatsomething is missing. Both the songs are very well picturised .Especially the concept of That's All I Really Wana Do is superb.1910 Era : Now this is the era which is most enjoyable and very wellexecuted according to the era. The dialogues, the poetry , the actingis just too good.. and love angle is also very nicely shown.. ALLAHJAANE is used brilliantly while HUMSE PYAR KARLE is also nice..STORY & SCRIPT:Story of all the eras is quite good and the script here is a big PLUS.. script is very good..DIRECTION:KUNAL KOHLI is back in form totally on director's seat and maintainshis history.. first he made MUJHSE DOSTI KAROGI which was a blunder,then he made HUM TUM which was a gem, then he made FANNA which was halfawesome and Half Poor, then he again made a blunder of THORA PYAR THORAMAGIC. Now it was his turn to make a better one and he made a beautifullove story here,, Direction is very good..Editing is brilliantly done , the way all three story merges in oneanother is very good..MUSIC:Music by SAJID WAJID is a great surprise package. This is there bestmusic other than Salman Khan's movie.. All the songs are beautifullycomposed. Especially ALLAH JAANE is a beautiful composition andbrilliantly sung by RAHAT FATEH ALI KHAN. He got a very good song aftermany average songs. But the most special song of the album in myopinion is JABSE MERE DIL KO UFF awesomly sung by Sonu Nigam andSunidhi. MUKHTASAR is also a good composition and nicely sung but couldhave been much better if it would had been sung by Atif Aslam or AliZafar.. but still a good one. remaining two songs HUMSE PYAR KARLE andTHAT's What are also enjoyable..CASTING & ACTING:SHAHID KAPOOR is the life of TMK. He is best in 1910's Javed .. he hasbrilliantly acted in that flirty man of that era. He again dips in 60'sera character and acted very well as Govind.. Acted well as Krish too..He makes the entire movie fresh & enjoyable..PRIYANKA CHOPRA is so attractive and had a great screen presencetotally in entire film in all roles she plays.. And she has acted verywell too. SHAHID & PRIYANKA's chemistry is superb. and they both rock togetheragain.NEHA SHARMA & PRACHI DESAI both are stunning in there respective roles.and played their roles very nicely.. All other actors are very good too.. The role of cameraman played 60'swas too good to enjoy.. he was fun.PLUSSES & MINUSES:PLUSSES:1. Shahid Kapoor.2. Direction & Editing.3. Music and picturization of songs.4. Chemistry of Shahid and Priyanka.5. The length of the movie.MINUSSES:1. 2012 Era is quite good but it feels something is missing and couldhave been better.2. Climax can be more polished , still it is good.CONCLUSION:Overall TERI MERI KAHAANI is nice concept well executed and totallyenjoyable. Want some entertaining time. Do urself a favour. Go andwatch TERI MERI KAHAANI..

lostsoulofdarkangel

(2013-05-15 09:12:33)

Unlucky Shahid ~ Nice Movie With Bad Climax

>> TERI MERI KAHAANI

Dev Pareek

(2013-05-14 19:16:13)

Brilliant

I saw the movie and than saw the reviews...What I can say is I amdisappointed in the reviews and not the movie. I felt like clapping atthe end of the movie..It was wonderfully acted,directed but due to thepoor promotion moderately received. I can only say that when u watchthe movie try to see the magic that surrounds it. 1 of the reviews saidthat it feels like 3 love stories well it is. It is not focusing onanything else it jest says love is true no matter the situation. Iwould give it 4.5/5 but as others gave it 3 i give it 5/5. And if uwatch it with the one you love it might just add another layer of magicto your love...

eyestoremember

(2013-05-14 14:54:56)

Puts a smile on your face when you leave

Since watching it i have heard scores of people for criticizing themovie for not being too original and having a bad screenplay andfrankly i had enough. I myself am a writer and saw not that big of aloopholes and last of all the movie managed to put a smile on a faceand after a long time i was really happy on seeing a film just like myfriend. I agree the effort on Priyanka's part appears half hearted insome scenes as compared to the really honest performance from Shahidthough i agree the script needed some push in the 2012 era but stillonus should be given for the twist in the second half... The backgroundmusic in some scenes should have been better and the scene in the barwhere Shahid and his ex keep posting embarrassing pictures of eachother is really the attention catcher and a indication of how socialnetworking can harm your reputation in seconds. Though the pace couldhave been a bit faster but only in rare parts you feel this need.

DICK STEEL

(2013-05-14 02:15:53)

A Nutshell Review: Teri Meri Kahaani

The first thing that sprung to mind when I heard about the premise wasthat this could be like Hou Hsiao Hsien's Three Times, with three lovestories presented in short story style, set in three different eras,and starring the same actor and actress as would be lovebirds. It's thequintessential love story in each of the short films presented, withlittle narrative links between the tales. And quite unlike a typicalBollywood film, I was surprised when everything came to close in justunder 2 hours, succinct and to the point, exploiting theboy-meets-girl- loses-girl formula with success, three times over.Written and directed by Kunal Kohli who helmed films like Fanaa and HumTum, the stories presented were uncomplicated in style andpresentation, and is absolutely charming, being an automatic andexcellent choice as a date movie. Each story is based on serendipitybetween the couples, with each chance and debut encounter being nothingshort of memorable, developing into something a lot more, before aroadblock gets in the way which curiously almost always being the faultof the guy. And with each cliffhanger comes the hope that everythinggets resolved with a fulfilling positive ending, not just because thewriting and characterization make us root for the lovers to betogether, but that Shahid Kapoor and Priyanka Chopra share thisremarkable chemistry opposite each other, that doesn't betray the pointtat this is only their second pairing after 2009's Kaminey.And Teri Meri Kamaani starts off with arguably its best segment set inthe 1960s, where impressive CG gets combined with old school styledmovie sets to bring out not only a believable blast from the pastsetting, but to add a unique flavour to the way films in those days getmade in studios as well. Rightly apt for this tale is Chopra playingRukhsar, a movie star who meets Kapoor's Govind onboard a train,sharing a trip to Bombay and then sowing the seeds of what couldpossibly be a start to an unlikely romantic relationship betweensomeone famous, and an in-between jobs musician. Complicating mattersis Govind's neighbour Maahi (Prachi Desai) who got utilized to try andshake off a persistent tabloid journalist, with a cruel twist set intothe narrative.Then we move into London 2012 at Stratford Upon Avon, with Kapoor'sKrish having broken up with his girlfriend Meera (Neha Sharma) on hisbirthday, and began on the wrong footing with the stranger he bumpedinto, Chopra's Radha, but after a day and night of partying, and asemester of modern day instant messaging flirting and maintaining along distance relationship of sorts, trouble comes when Meera decidesto embarrass Krish online by posting less than flattering privatephotos of Krish, and for his tit-for-tat action really throwing aspanner into the budding relationship formed with Radha.1910 Lahore forms the final part of the trio of stories, with ShahidKapoor playing the Casanova Javed, who uses his charms on unsuspectingwomen around his village and gains a notorious reputation. Here hechances upon Chopra's Aradhana while escaping from soldiers in colonialIndia, and amongst the lot, this story dwells a little bit on thepolitical climate of the time, and a more conservative courtshipbetween the lovers. Gone are the fancy song and dance, or modern dayconveniences, and in comes poetry which the characters recite inplayful repartee, which I'm quite certain the nuances in remarksexchanged were sorely lost in translation.Tackling multiple roles in a film isn't something new for PriyankaChopra, having played 12 different characters in What's Your Rashee,and adopting 7 different personas in 7 Khoon Maaf. Once again sheshowcases her versatility and justifies why she's at the top of thegame, and being one of the best Indian actresses amongst hergeneration, combining glamour and striking poise when they're calledfor. Aradhana allowed her to showcase a lot of restraint in a moreconservative time period, while a more bubbly nature shone through asRadha. Shahid Kapoor does what he does best, and comes to life asJaved, the only character here who had to undergo tremendoustransformation, although the other less flashy role of Govind probablyserved as the more interesting of the three he had to tackle. Andtogether, the Kapoor-Chopra pairing proves to be once again somethingthat probably movie goers will not get enough of.Kunal Kohli has a winner in his hands, opting for somethingstraight-forward and direct, and having a wonderful cast bringing lifeto his stories. Perhaps I would have enjoyed it a bit more if thestories are linked more than just thematically, although this may besticking to the same old formula already done to death by cinemas fromaround the world. Still, Bollywood has its usual song and dancesequences which work extremely well here, and has technology to thankfor in recreating sets of 1960s Bombay that's impressive, with itsslight rawness and less than pristine rendering adding to some charm ofthat era. Highly recommended!

bobbysing

(2013-05-12 06:39:32)

The inspired concept of a love story happening in 3 different eras simply takes you no-where.

Kunal Kohli has been associated with 'All Inspired Films" since hisfirst venture & working on the same formula, he once again comes upwith a film based on another borrowed idea, this time taken from aTaiwanese film called "Three Times" or "Zui Hao De Shi Guang".Reportedly Imtiaz Ali was also inspired from the same film for makinghis "Love Aaj Kal". But then he didn't blindly follow it and his scripttalked about the different eras as part of flashbacks related to hisfew key characters. Whereas in TERI MERI KAHAANI, Kunal adapts theconcept as it is from the original giving it his own Indian touch inthe three different eras. Now where the original deals with 1911, 1966 and 2005, this presentversion deals with 1910, 1960 and 2012. But this time Kunal reallyworks upon the inspired concept and majorly re-shapes it with his ownvision converting it into a marginally interesting one. Honestly, Ineither liked the Taiwanese film for its lifeless content nor I reallyloved the present unclear version of Kunal Kohli. However I would liketo mention one big difference here, in the way a story can be conceivedby two different directors making it more realistic in their own ways.In TMK, when the script moves into 1910 we get to see the era depictedby colourful sets, people from different religions, British policeofficers and freedom fight struggle going on in the country along withfew peppy songs. But when the Taiwanese film goes into the year 1911,its narration suddenly becomes mute as a silent movie….Why….becauseobviously it was an era of silent screen communicating with theaudience through the running captions. And that's the differencebetween the vision of a creative director and a commercial one.Talking about 3 distinctive love stories happening in 3 different erasin TERI MERI KAHAANI, it basically looks like a direction less projecttaking you no-where. As it begins with 1960s everything is fine and youenjoy watching the lively era without any major development in thestory. But when the same keeps happening in the other two eras too thenone becomes restless and starts looking for the basic purpose behindshowing all this. In fact till the last 20 minutes of the film, boththe viewer and the director remain clueless about what is happening onthe screen in a strange manner. And when all the explanations are givenin the final reels, one doesn't feel convinced or interested at all inthe way it is depicted. In short, the first era of the 60s remains the best out of the 3,whereas the representation of 1910 remains the weakest. In betweenthese two, the 2012 version of the love story never rises above theaverage. So, where the initial 40 minutes of the film are refreshing,the rest showcasing the other two time periods simply give you nothing.And in the end, it really makes you think that why on earth Kunal chosethis inspired subject when he never knew what he is going to do with iton the screen. The director also remains confused in his re-creation ofthe past, both in the sequences of 1910 and 1960. For example, he showsa big flex hoarding being displayed in the year 1960 whereas there wereonly handmade hoardings or multiple-sheet paper posters used in thattime for publicity. Moreover, he takes too many liberties in depictingthe complex 1910 era when India was still struggling under the Britishrule. But here the silver lining in the dark is that probably TERI MERIKAHAANI is the first film ever which takes the British rule over Indiain such a positive and cool manner. And I seriously wish this was donein a more appealing way because it could have actually turned the filminto something interesting. Technically, though it was quite cosmetic in looks but still I enjoyedwatching the 1960s graphical representation (Set Designing &Cinematography) on screen and loved the spirit in this particular partof the film. But the same cannot be said about the 1910 era as itsrecreation was in fact way below the mark and not competent at all. Inthe performance section, both Shahid and Priyanka frankly had nothingto do in the script except looking good and keep smiling. The storydoesn't give them the opportunity to display a wide variety of emotionsand they both majorly remain the same throughout the film. Yet TMK caneasily be called a Shahid's film more than Priyanka's. The pair doeswell particularly in the first half of the film but frankly I likedPrachi Desai's small cameo a lot better than Shahid-Priyanka's completetwo hour act put together. Neha Sharma is OK looking quite differentfrom her looks in CROOK and Vrajesh Hirjee is as usual fine in his roleof a reporter or detective.In all, the only merit of TERI MERI KAHAANI is its soundtrack whichgives you some good foot tapping numbers keeping you engaged in itsotherwise uninteresting storyline. Sajid-Wajid can easily include thisfilm in the list of their better works as the duo's music truly remainsthe only hero in TMK unarguably.So you can go for it, in case you love watching your favorite actorsdoing the same routine song-dance-drama on the screen in a feel goodscript without any basic storyline. It does have some cool, lovablemoments in its 3 love stories happening in 3 different eras. But at thesame time TERI MERI KAHAANI is also one of those unexplainable filmswhich strongly forces you to think that 'How could a lackluster scriptof this kind get approved by such renowned and image-conscious Stars ofthe current times?" or "Do these actors ever read the script on whichthe film is supposed to be made or not?

Nimai Hawkins

(2013-05-11 14:52:18)

One of the 'freshest' Bollywood movies ever made

I saw this film at the world premiere in Melbourne. Let me just saythis to the hypercritical movie buffs out there: I'm a New Zealand bornCaucasian that grew up watching Hollywood films and I've watched alarge proportion of the more well known Bollywood films now too. I useIMDb to decide whether to see a movie or not and by my rating scheme5.2 is far too low a score to go and watch. Watch this movie ANYWAY.I've watched dozens of epic bollywood films from 3 idiots to Dil ChahtaHai to Ishq: This quite possibly could be the best though.If you reviewed this title and gave it a low score you probably didn'tquite 'get it'. It's not about the scene chronology, it's not about thesuspense or build up, it's not about the cinematography. This movie infact is unabashedly unrealistic in places. There's a scene thathighlights this with priyanka and shahid dancing in the rain underneatha perfectly blue sky without a cloud in sight. There's a real Wrath ofthe Titans movie poster in one scene with a date on it!! (OMG that's ano-no by Hollywood standards for reasons I won't elaborate on). One ofthe songs (half in English, half in Hindi) called 'That's All I ReallyWanna Do' may as well be a commercial for Lipton Tea or the new Mazdacar, the words come up on the screen and fly around. And if any of that in any way negatively affected your opinion of thisfilm, then you, clearly, didn't 'get it'.I recently read that Kristen Stewart is the highest paid actress inHollywood. That made me want to cry and not watch Hollywood filmsanymore. If I saw her on the street I wouldn't look twice. Priyanka andShahid could be the hottest actress/actor combination ever. They reekof stardom. They ooze energy and life. Priyanka is so in love she hits herself in the face with a rose. AsShahid's father urges him to rethink his marriage to a Hindu widow ashe can marry up to 4 wives by Muslim law, he, without stopping for asecond proclaims "Then I will marry Aradhana 4 times" as Rahat FatehAli Khan wails "Moula Jaane" in the background. This is a ridiculouslypowerful film. It doesn't care about petty film terminology, it isconcerned with love only.I gave this film 10 stars if that means anything. It will make youlaugh... maybe cry. It will always make you smile and most of all it'llbring back the energy you lost watching 'Salmon Fishing in the Yemen'.

houghtonconnor17

(2013-05-11 05:48:38)

This Cannot be From the Director of Hum Tum

The only truly decent thing to say about Teri Meri Kahaani is that thelead actors performed their roles well. The film actually encapsulatesthree stories in one, and therein lies the problem. There are threemain issues with the film that make it unsatisfying in every way.The main problem with the film, and where the whole premise falls apartis that there is no true thread to tie these stories together. Withoutsome common theme (aside from a very loose boy meets girl connection),the only thing that differentiates these stories is the time period(Set in the 60's, present day, and 1910). The second major problem isthat despite trying to flesh out three stories entirely in two hours,Kunal Kohli does not give enough flesh to any of the stories in orderto make you really enjoy them. The only story with any meat in it aswell as having characters who are not completely reprehensible (the oneset in the 1910's) is given as much or less screen time as the boringtale set in the present day. Finally, the movie fails in a big way as,with the little character development that we are given, we are urgedto loathe or at the very least not care about most of the charactersinvolved. Either Priyanka or Shahid's characters or both are cast in anunfavorable and somewhat confusing light in each of their variousavatars, and, despite being so horrible and with so many issues, theirstories just abruptly end in a way that is extremely unsatisfying tothe viewer. The two rays of light for this picture are the beautifulUrdu poetry segments and songs and the refreshingly able Prachi Desaiwho shows in only a few minutes worth of screen time that she has trueacting talent. That, however, is not enough. I would strongly recommendpassing on this one as it will likely leave you completely unsatisfied.

garfyldrox

(2013-05-10 07:40:30)

Simple Story But Very Well Handled

First of, I'd like to mention that this movie is by no means, perfectin any way. Yes, it can get unrealistic in many scenes, the stories arevery simple, among other faults. But I'd still recommend it.Like I said, it tells an age old story (3 to be exact) set in 1910,1960 and 2012: Boy meets girl under unusual circumstances, they hit itout, fall in love, the meet a hurdle, but end up together anyway. Butknowing that, one becomes more interested if this would be the samerehash containing boring scenes and overused dialogues. Not in thiscase. In fact I'd like to point out that the dialogues are extremelywell written.Shahid Kapoor plays an out of work guitarist(1960), a student(2012) anda womanizing poet(1910). I loved his performance as the poet. Here, theactor showed his versatility in handling the roles. Priyanka Chopra plays an actress(1960), a student(2012) and arebellious albeit conservative girl (1910). She has great presence onscreen and I liked her portrayal in the 1910 storyline. One of the lastscenes where she goes to the mosque right before her beloved's weddingto another girl is heartbreaking.The main characters had sizzling chemistry. They complement each otherpretty well on screen.The 1960 storyline started off whimsical and funny at times. I likedthe parallelism of the start and the end. It's an age old device but itworked.The 2012 storyline could have been expanded a bit more and made alittle bit more interesting. But they made their point about thehazards caused by social media.I loved the 1910 storyline the most. I loved their poetic back andforth. Since I had to rely on English subtitles, I'm fairly certainlost of poetry has been lost in the translation from Hindi. But still,they made sense to me and I understood most of them. I liked the song with the movie's title. It's very catchy and so are alot of the songs used.I recommend this for lovers of light, easy to digest romantic comedies.and if you don't dwell on the slight blunders, it will leave yousatisfied. :)

G Singh

(2013-05-08 14:20:34)

A Tasteless Romance

After viewing Teri Meri Kahani I've come to 2 conclusions - Kunal Kohliis one overrated director and his ONLY film worth praising, Hum Tum,was a giant fluke.His Mujhse Dosti Karogi was a cheesy romance that can even make KaranJohar and Suraj Bharjatiya cringe. His Fanaa was a novel idea gonehaywire in the second half. His Thoda Pyar Thoda Magic was well, ajoke. After 4 years, Kohli brings us another romance and he once again,doesn't fail to disappoint.The whole concept of T.M.K. is interesting and nobody can deny that. Infact, had the writing been in place - it would have been genius.However, T.M.K. is sadly nothing more than 3 predictable love storiesin one 2 and a half hour flick.In 1960, a growing India with a growing film industry has a musiciannamed Govind who has a dream to make it big in Bombay. There he meetsfilm-star Ruksaar and then starts their .In 2012, Krissh has just had a break up with his girlfriend on hisbirthday. That same night, he meets Radha, a up to date girl. Thenstarts their .Now back to 1910, British ruled India. Javed is a charming womanizerwho meets a girl who just doesn't get wooed by his antics. A sardarniby the name of Aradhna. Javed falls in love and there starts their .Now all 3 stories start out with a bang but fiddle down very easily.Also, the misunderstandings in the movie are so dumb. Especially forthe story in 1960 and 2012. To me, the best story is in 1910 but eventhat story isn't extraordinary.The climax is rushed and there is no doubt. It's as if the writersdon't know where to go now and just give up on the script.The writing is sore. Kunal Kohli's shayari is very good, however. Thatis about it!! Shahid Kapoor and Priyanka Chopra save the film frombeing complete trash. Shahid is excellent in all avtaars. Of Courseit's most fun to watch him as Javed. Priyanka looks amazing and actswell too. It isn't the best act from the 2, but good indeed.Now to director Kunal Kohli. I don't hate or love the guy. I do feelthat one major thing that has hurt most of his films (except Hum Tum)is the predictability level. His films don't have the X Factor. Evenhere, where there is a great idea in place - the boring writing messesthings up. His direction is good but he fails in choosing the rightscreenplay.Overall, a very bland and tasteless romance with very few moments thatamaze the viewer. Dasappointing.

Sidharth Banerjee

(2013-05-07 23:42:49)

An Average Timepass Which Could Have Been Better!!

I decided to watch Kunal Kohli's Teri Meri Kahani before the otherreleases even though I didn't really like his previous 2 releasesbecause I thought that it would be a light hearted romantic comedy andit was actually that. It starts off in 1960 when Govind who's going toMumbai to try out his luck as a musician bumps into Urvashi, an alreadyestablished heroin in the film industry. The 2012 one comes in next;there's another bump and that is followed by the 1910 story; anotherbump of course. At the end of each the lovers are temporarily distancedfrom each other and towards the end of the movie the 3 stories runparallel to each other as everyone meets everyone and love ensues.Simple. But then again there's nothing much we can do about theendings. They have to meet. What we can do is make the journeyinteresting, which is where the movie does just about okay. I found the1960 story the best. It had almost everything in place but the othertwo weren't up to the mark. If one had good dialogues it didn't havegood music; if one had good music it had a boring storyline. And mostdefinitely both had bad screenplays. Shahid Kapur looks handsome andgives an earnest performance in all 3 characters and its because of himthat I want the movie to succeed.Priyanka Chopra looks really hot butagain hams when she has to play the romantic parts. I hate her forthat. Kunal Kohli you could have tried a little harder. If you are aguy 1.5/5 If you are a girl I am thinking it would be 2.5/5 2/5 if(forgive me if I sound cheesy )you think you are in looob :P A goodtimepass, Meri taraf se 2/5 !!